Poster Editions

Editions of the work Treaty of Lisbon amending the Treaty on European Union and the Treaty establishing the European Community/Playmobil catalogue 2008 are now available. They are semi-gloss inkjet prints sized 50 x 40 cm and can come with or without charming IKEA RIBBA solid birch frames.

The initial run is 10 of each of the three. The total run will be 150 of each. Posters from the initial run are priced at €60 each (€85 framed) and €140 for the set of three (€215 framed). The full image rights for the works (including the rights to the remained of the run) is also available, at a price that is negotiable.

All inquiries, please contact.

Free stuff

Here are some examples of the free to take flyer/posters from the show. Some were more popular than others but there are still a few left. If you’d like one, message me and I’ll post one to you. For free.

Treaty amending…/Playmobil…

After failing to sell my collages at the show, which were available at the bargin price of €130 each, of €350 for the lot (they were meant to be editions of 10) I decided that I couldn’t possibly be bothered making 27 more of them and that intsead I would do poster editions. I think the originals will now be not for sale, and I might send them on permantent loan to my sister, though other loans can be arranged. However, the rights to the works are for sale, meaning I will sell the rights to produce and sell the poster editions, and all other potential image royalties. I’m thinking of entering into a distribution deal with Digital Arts Distribution, but Richard’s not here, so I’ll have to wait until he gets back.

Beyond Vietnam, YouTube edit.

This is a YouTube edit of the almost finished Beyond Vietnam: A Time to Break Silence. I’d like to 1. finish it and 2. submit it for this, the deadline for which is the 11 of July.

I hope this version, and the one that was in the degree show, is a little less racist than some of the earlier ones. I watched it the other day and I actually think it’s quite good. Let me know what y’all think.

Treaty of Lisbon amending the Treaty on European Union and the Treaty establishing the European Community/Playmobil catalogue 2008

The three framed collages I showed in this weekend’s show. They are full catalogues behind the glass with a EU flag laser-printed onto the top right corner. The show was intended to let a group of us test out ideas before the degree show. I think these didn’t work for a few reasons. I meant them to operate as fictional objects. The text was meant to imply that the catalogues were illustrated guides to the treaty and that each page illustrated a different article. The frames were meant to be museum displays, where as they are of course domestic, especially in the context. While the laser-print overlays onto existing images is an idea I like a lot (and had intended to use in my chicken box piece but couldn’t because the card wouldn’t go through the printer) it was just a bit too subtle. I really don’t want to just display the catalogues, even though I think they’re the interesting bit of the work. I want to disguise them as art. I had wanted the catalogues to be window mounted with the captions letterpressed onto the mounts, but couldn’t because the letterpress was closed all holiday.

By the degree show hopefully I’ll be able to resolve some of these problems.

Beyond Vietnam: A time to break silence

One of the influences for the form of this work is the project 9 scripts from a Nation at War, a collaborative project between five artists that I saw at Documenta12, particularly the unscripted interview between students (young female students) and the scripted re-enactment of the trial. 9 scripts attempts to address a much wider range of relationship than my video, between interviewer, interviewee, speaker, writer and listener, and often does this by making these roles ambiguous, a writer reading aloud their own words, for example. In my work I am aiming for something far more orthodox. My interviews, though amateur, hope to replicate the style of a Channel 4 after-news slot mini-doc, and I want them to look at home on a TV. I want to replicate the mediation of access we have to American culture.

Here are two rough edits (only three interviewees) of my MLK video.

Part 1: Interviews

Part 2: Speech

SO Hot & Tasty – Just the way you like it

A picture of my piece. Is this perhaps a bit of a ‘one liner’? Yes. And it’s pretty badly made too.

SO Hot & Tasty 2

Dr. Martin Luther King Jr.

I first thought of using Martin Luther King as a subject when Richard and Simon where asked to find something to perform in a church that might still be a bit taboo. They chose a reenactment of Michael and Macaulay’s sleepovers. I thought that blacking up and reading a MLK speach in a ’southern’ accent might also be quite distasteful.

On MLK day though, I heard Beyond Vietnam: A Time to Break Silence (text/audio) and realised I could maybe do something with some wider relevance and not just focus on some kind of privileged/universal tension.

I’m never sure to what extent I like doing performance. At first I thought about delivering the speech myself, perhaps somewhere like parliament square but after meeting an American I decided it might be more interesting to get her, and other Americans to read the speech and answer some questions about MLK as a cultural figure and his place in their education.

There are times when the interviews could get a bit ‘look at these stupid white americans’ and times when their reading of the speeches could get a bit didactic – me making them say things that criticise ‘their government’ that might be closer to my opinions than theirs. But hopefully in the editing I can pick out the interesting bit.

Interviewed 3 people (all girls) and will need a few more, hopefully get it finished in the next couple of weeks.

Guarjazeera cutup

Made this ages ago, but my hosting wasn’t working at the time.

Tel Aviv going cheap

Is it just really bad?

IKEA/Lego – Jan 08

MUDDUS/HouseBJÄRNUM/Sentai Golden TowerNORDEN/Tiger Shark Attack

MUDDUS/House, BJÄRNUM/Sentai Golden Tower and NORDEN/Tiger Shark Attack.

I made pictures from IKEA and Lego Catalogues, craft-knife, cutting-matt, prit-stick, the lot. It was an attempt to illustrate ideas I took from a play called Game? about which I wrote this. Then there was something about operating politically in a non-resistive, heteronomous way within systems, so I submitted the Middle one to some weird thing in the college bar and Xhibit and gave the left-hand one to my dad as a birthday card. Yeah?

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