Is this racist?

Just posted on OurKingdom (article and comments here)

John Hill (London, Camberwell College): I’ve always quite admired Fathers 4 Justice for their media-savvy radical conservatism (transforming embarrassing your children into political dissent) and applauded middle-age white men entering into a gender politics debate, so I was willing to give the English Democrats the benefit of the doubt.

English Democrats

Ex-pat Scottish, and a voter in both London and Edinburgh, I suppose the above poster isn’t aimed at me, though in principle I support the sentiment. Independence for Scotland, independence for England. I believe, as does Gareth Young, that real economic independence for Scotland could allow for real economic change, perhaps even the holy grail of Scandinavian-style social democracy.

There are of course problems with the simplified economics, the benefits the UK receives from Scotland. Most obviously, there is the last of the North Sea oil but, perhaps more importantly, there is somewhere to keep the nuclear subs. Will power over planning decisions on matters of national security be one of the things Gordon Brown suggests the Constitutional Commission return to Westminster? It seems hard to see New Labour surviving the relocating of nuclear weapons to the Tyne or the Trent or the Thames. A Conservative Government in Westminster would be no bad thing for Scotland, pushing independence and allowing Scottish Labour to finally work for Scotland, rather than the Union.

So is the poster racist? Yes. Do I care? No, but perhaps the English should. Having the cross of St. George associated with a strong democratic national identity would benefit everyone, having it associated with petty racism, bad puns and embarrassing haircuts will do no one any good.

Class values and steak pies

I just wrote the following in response to a news story (and comments) my father emailed me from the Sunday Herald – here.

Wonderfully Edinburgh. We got banned from that garage at school for flicking egg-fried rice at the cars (not me personally, obviously). How do you spell aline? [edit, how do you spell stake? (it's steak, btw.)]

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Why don’t we attempt a proper class analysis of this story and the comments?

Plobotsky is happy because (safely-assumed) middle class students are arrested by police and seems to feel that this asserts his class values over the values of the middle classes (university education, environmentalism, etc.). He therefore alines him with the police as defenders his beliefs.

If Plobtsky wants to defend his class values (though he may well be 100 years late to save the truly independent working class) which seem to be those of the steak pie diet over veganism (which is reasonable, I’m not being disparaging) then we have to ask whose interest this serves. Is the steak pie made by a revolutionary worker’s piemaking cooperative? Or is it made by a multinational corporation serving it’s billionaire shareholders who promote inflationary economics that make your pie 50% for expensive while paying you no more for your working class shelf-stacking job.

And whose interests do the police serve? It has been suggested above that in general police come from a “narrow socio-econmic group” which I will again assume to be lower-middle or working class. As a petite-bourgeoisie, they will strive to secure it’s position as a part of the middle class by maintaining status quo and will be inherently conservative. A true defence of working class values would require an overturning of the status quo. Class alliance of workers and students have been the basis of most revolutionary movements, for example the Cuban revolution. By defending the the right of the bourgeois students to assert their class values, the workers in turn assert their own right of value defence. By supporting the forces of state authority, the workers disempower themselves.

What are your material interests as a shelf stacker or a piemaker, a student or a police officer? How can we aline our interests for mutual benefit?

Treaty of Lisbon amending the Treaty on European Union and the Treaty establishing the European Community/Playmobil catalogue 2008

The three framed collages I showed in this weekend’s show. They are full catalogues behind the glass with a EU flag laser-printed onto the top right corner. The show was intended to let a group of us test out ideas before the degree show. I think these didn’t work for a few reasons. I meant them to operate as fictional objects. The text was meant to imply that the catalogues were illustrated guides to the treaty and that each page illustrated a different article. The frames were meant to be museum displays, where as they are of course domestic, especially in the context. While the laser-print overlays onto existing images is an idea I like a lot (and had intended to use in my chicken box piece but couldn’t because the card wouldn’t go through the printer) it was just a bit too subtle. I really don’t want to just display the catalogues, even though I think they’re the interesting bit of the work. I want to disguise them as art. I had wanted the catalogues to be window mounted with the captions letterpressed onto the mounts, but couldn’t because the letterpress was closed all holiday.

By the degree show hopefully I’ll be able to resolve some of these problems.

furnished – installation shots

Four installation shots (sorry oliver)

furnished – PV pics

Three pictures from Thursday’s Private view, click to enlarge.

Inside – Outside – Lots of people

furnished

Exhibition an unmitigated success. Maybe 100 people at the opening, work all looking aright, Rose’s performance a highlight.

Rob’s obelisk stood all night but came down in a gust this morning.

Final day tomorrow. Photos to come

furnished – thu 10 april

furnished

an exhibition of work by final year fine art undergraduates

opening thu 10 april – 6pm to 9pm
fri 11 and sat 12 april 2008 – 1pm to 6pm

maria hawkins
louis eastwood
nicole morris
joe balfour
alana revel-rohr
theo turpin
tristram bellotti
robert prouse
yuki aruga
oliver osborne
rose hall
belen zahera
james early
john hill
alicia logan
natasha bird

122 lyndhurst way, peckham, se15 4pt